pof by glasear

The concept that producers are artists in themselves has become more prevalent in the last decade. Producers are pivotal to the recording process and give songs their life force. Producer glasear takes it up a notch, creating a world within his music. His latest project “pof” is a quick look into his creative ideas and possibly his sound at its purest.

The EP begins with The First Step “Monoto”, it has a surreal essence. The tempo changes at glasear’s will. Like a dream, you're at the mercy of imagination. The soft bass and fluttering chords allow the track to flow. It mends perfectly into “Spyro (The Second Step)”. This instrumental sounds like falling deeper into the rabbit hole. The pacing of the drums gives off haste and the feeling that time is running out. It ends with a transition to a much calmer sound, almost like transcendence. Next is “Absorb (The Third Step)”. This track has similar elements to jazz. It’s freeing. Each instrument and sound has its own, distinct identity within the song, but they manage to complement each other and have the space to create something more. “Absorb” feels looser and more carefree than its predecessors. “Bliss (The Final Step)” has a rock influence with heavy drums, distorted strings, and angst that will engulf each listener. On the surface there’s chaos, but only to guard the soft, angelic vocals. Each just as precious.

Click here to listen to pof on SoundCloud.

W!ld C4rd by G.Soulow

 

G.Soulow is putting the finishing touches on his discography for the year. His latest EP, W!ld C4rd, puts his growth and evolution as an artist in 2020 on full display. It’s full of high energy, catchy bars, and new lines to take with you. Lyrically, he’s only surpassed his previous projects. His dedication to Hip Hop’s fundamentals allows him to excel when he infuses his writing with a modern sound. The EP is also completely self-produced. This combination of talents gives G.Soulow an advantage over most independent artists. Taking on both fields places him in a category of artist-producers such as Kanye West, Tyler the Creator, and even Chief Keef. Ultimately, only time will tell where we’ll see G.Soulow next, but it seems he may be hard to ignore by then.

Click here to listen to W!ld C4rd anywhere.

Ill by avakten

Artist avakten has taken his discography to an all new height with his single “Ill”, co-produced by Ginseng and his producer alias- Simulacra. The fusion hyper pop and his airy vocals make the song a hit for any occasion. Lyrically, the song is revealing, but uplifting. “You were fake before we started...My past been painful, I’ve been beaten down”, avakten has gifted his heart and had it broken before him. He’s turned this heartbreak into sweet melodies and a remedy for those feeling just as sick. 

Click here to listen to “Ill” on SoundCloud 

Lifestyle by Joony

There’s a point where the journey becomes a bit mundane and some get stuck in a rut. Joony, in his latest music video for “Lifestyle”, lives through that boredom. His unbothered and nonchalant flow makes it seem like the money, nice cars and clouds of smoke are habitual. The life some are trying to obtain is what Joony does on a regular, and he’s still not satisfied. The video, shot by Tyler Kendall, has a warm and euphoric essence, making this lifestyle all the more dreamlike.

Click here to watch the “Lifestyle” music video.

The Nastiest by Michael Seuss

Michael Seuss has never failed to stay true to Hip Hop. His latest single, “The Nastiest” hits harder than most. His lyricism is boisterous and his delivery is hard-hitting, it’s difficult not to meet his energy. It seems he’s met a point in his journey where things are falling together and others are falling apart. In only a few weeks the song has climbed to the top of his Spotify Popular Songs chart. For those that admire lyrics with a bit of thought behind them, Michael Seuss catalog is more than adequate.

 Click here to listen to “The Nastiest” on Spotify.

Break Dat Bank by Lil Turbo

Lil Turbo has been releasing hits to break the seal on mainstream music and his latest single “Break Dat Bank” has placed him one step closer. The song, produced by Lukrative, features fast snares and bouncy drums. Lil Turbo has a villainous tone as he talks about avoiding the feds, fighting off racists, and still making a bag. The song and its chorus are catchy, making it hard to skip and even harder not to add to your playlist.

Click here to listen to “Break Dat Bank” anywhere.

S-CLASS by HATESONNY

HATESONNY is back with a colorful and vibrant video for his song “S- CLASS”, directed by ABGallery 7023. The song is produced by MyFriendNate and features ear-catching digitized notes and uptempo bass. HATESONNY dominates the track, keeping up with the beat and delivering just as hard-hitting bars and punchlines. This track is perfect for adding some energy to your day or just coolin’ with your friends. Just as HATESONNY manages to have a friends-only function, fully equipped with electric toy cars for transportation and all the weed they’ll need.

Click here to watch the “S-CLASS” video on YouTube.

The Fall Selection by Ty Sorrell

The Fall Selection is tranquil and revitalizing listening experience. Ty Sorrell begins the project with a classic approach to rap; a sample, some boom bap, a polished flow and something weighing on his chest. This style continues into the second track “Society” but features sporadic sounds of cash registers and a faster pace. Much like the race for riches. Ty teams up with Rob Gibsun and Prof. Ant for “House of Wax”.  The beat is more sinister and their flows are heavier, more serious. Their energy mimics old school villains, monologging about their evil plans. The project shifts in tone from here, “A Gateway” sounds much like the better path for the characters we met before. Ty speaks as a more enlightened self, schooling maybe the audience or his younger himself. The project comes to a close with “Autumn’s Work” featuring clwdwlkr.  They talk about setting a seed and leave you with a mesmerizing message to help it grow this fall.

Click here to listen to The Fall Selection anywhere.

Just Another Melody by The Underd0g

 Told her not to fall in love with me 

The Underd0g hasn’t had the best luck with love. One of his latest singles “Just Another Melody” details his love life. Fans love him, through his music and sometimes a bit more candidly on the road. But it’s all very surreal. The fame doesn’t fix all of his problems and finding real connections can be even harder.

Heart’s frozen. They been hating on me. I don’t know them. I’ll be sad and lonely. Til the world ends 

The Underd0g almost masks the underlying despairing lyrics by pitching his vocals higher and using lighthearted guitar chords, hints of soft synth and simple snares and claps. It gives the essence of floating, which seems to be something The Underd0g would much rather do.

Click here  to listen to “Just Another Memory” on SoundCloud.

Demons & Monsters by 347Aidan

Layers and raw vocals, that’s what brings 347Aidan’s last single “Demons & Monster” its eery and enticing appeal. The young artist has a specifically raspy voice that creates its own ambiance when harmonious. The acoustic guitar grounds the song as the bass carries you through an array of emotions portrayed by 347Aidan. He reveals who’s truly corrupt and evil in society, all wrapped in an infectious chorus. It’s the monsters that run the world.

Click here to listen to “Demons & Monsters” anywhere.

Life’s Hard, Love Hurts by Lil Sad Boi

Life’s Hard, Love Hurts is a raw and organic EP created by Lil Sad Boi. He expresses his emotions fully, shouting out legends before him such as Lil Peep and XXXTENTACION that used their emotion as slates or mirrors for their music. Lil Sad Boi connects through the most human emotions: loss, heartbreak, and wanderlust. He’s searching for the answers that many of us are diving into. Each song, from “X Wing” to “Cali Girl” is a reflection of a love lost or barely able to come to fruition. This project is definitely residing in the realm of Emo Rap. Lil Sad Boi manages to put his mind and way of expression on the line to make a masterpiece fit for those feeling a little too lonely.

Click here to listen to “Life’s Hard, Love Hurts” on SoundCloud.

Outside, Inside by Makai Keyes ft. Foe Snow

The search for love can be treacherous, but Makai Keyes and Foe Snow manage to make the love pains sound whimsical. “Outside, Inside” is a snappy almost-love song. Makai is searching for someone who will let him in, but the journey hasn’t been all sunshine. “I’m on my own so you know I’m alone now, but I done learned a lot of things that I know now.” Foe Snow speaks his peace, adding his own distorted flare to his vocals and the instrumentals. His verse steps into the realm of R&B, making the track all the more dynamic.

Click here to listen to “Outside, Inside” anywhere.

Crash Tonight by Funeral

“Crash Tonight” is the first song I’ve ever heard from North Carolina rapper Funeral, but it definitely won’t be the last. Emotional music has always been a staple in popular music, but now it’s merging into Hip Hop more than ever before. Funeral is a part of a generation of artists that enjoys being vulnerable, and despite the genres' harder history, has a deep connection and talent for Hip Hop. “Crash Tonight” has crass and worn vocals mixed with hyper pop distortion and frankly dark lyrics. Similar to mega artists like Trippie Redd and the late Juice WRLD, Funeral in “Crash Tonight” manages to take a subject matter that would usually be grim and makes it rhythmic and brighter than the assumed emotions and story behind it. Funeral and his SoundCloud listeners would agree, he’s on the verge of a blowup.

Click here to listen to “Crash Tonight” on SoundCloud.

Trapatar by Keko

How is he not famous yet? 

That was my initial thought after listening to the opening track of Trapatar by Keko. The Atlanta rapper’s latest project has all the trappings of any artist you’d see in a Cole Bennett music video or featured on the next Drake single. Keko has a casual and almost childish cadence, one somewhat akin to Lil Yachty’s low but childlike voice. Keko sets himself apart from most with his approach, acting as if each instrumental is an opponent. He wants to have the best flow for each sound or style he’s working with- at least that’s how it sounds. This allows him to rap on the heavy trap and drill beats as well as some of the less conventional styles. Each track on his new EP hits differently, but it’ll only draw you in more.

Click here to listen to Trapatar on SoundCloud 

No Hook by BunnyTheDon

BunnyTheDon keeps a tight grip on her cash and an even tighter grip on the industry. Her new single and visual “No Hook” is sure to lure in more listeners. Similar to the music video, shot by FilmedByTylan, BunnyTheDon is a woman in a predominantly male game. She finds confidence is proving herself. Her lyrics aren’t copied and her drive to be better than the boys at this is genuine. As a Maryland native and a boisterous MC, she’s sure to have fans all across the country in no time.

Click here to watch the “No Hook” music video on YouTube.

Since99 is At The Forefront of A New Wave

No matter how you feel about Since99’s cadence, he has the beats, punchlines and puns to demand his respect as an artist. Layer his lyricism on top of an impressive, bouncy beat and you conjure a majority of his latest work, high energy, but somehow monotone hits. Since99 continues to embrace what makes him stand out from the typical rapper persona. There’s no gimmick. His songs stay true to him and cause the same characteristics that some doubt him for, to be his strong suit. It’s a sort of “nerdy” rap that’s hard to pin down. With Hip Hop in the hot seat of popular music, the genre is bound to be molded and morphed as it evolves. Since 99, however, has solidified himself as a historical figure in the emergence of this newer genre.

Click here to listen Since99 on SoundCloud.

A QUICK CONVERSATION WITH CHLOE RAIN

Chloe Rain wrote her debut album for her, but she also wrote it for you. Each song is an extension of an emotion that we all feel. It’s the sadness of being cheated out of happiness or a glimmering opportunity, Unfair is a heartfelt and selfless display of love and growing pains. Although not perfectly polished, Chloe Rain and her friends of artist make this project a stepping stone for her musical career and what fans can anticipate.  

What encouraged you to make Unfair your debut album instead of a mixtape or EP?

CHLOE: i originally planned on making it another ep, but as the tracks came to be, i knew that myself and the people involved were album material. i also wrote the whole album in four days so i acknowledged how natural it was coming to me and took that as the universes way of saying, this is it. but what really pushed me was once i listened to it front to back for the first time i just knew it was my debut album.


What have you learned about yourself as an artist while creating this album?

CHLOE: i learned that i can do a lot more styles than i think i can, ikyk was the first time i wrote over a beat like that, and the lyrics literally slipped off of my tongue. i also learned that i’d rather put out a big project than a bunch of little ones, i like to tell a story through my art and although i can do it in four minutes, why limit it to that.


COVID-19 has ruined plans for millions. Did you experience any complications due to quarantine during the process?

CHLOE: honestly not really, i’ve been pretty lucky because most of what i do has been online so far the only semi complication, was i thought i had the virus so i couldn’t sing for about a week, but i ended up just having a cold thankfully. but that was the 5th day of working on it so the day after writing all those songs all i wanted to do was record but i knew it would only make recovery longer

Any plans for visuals in the future, this year or next?

CHLOE: i have a video in the works right now, and i plan on doing more in the next year or so, i have a lot of ideas in my head, i just need to work on bringing them to life

Is there a story behind the song “Asshole”?

CHLOE: asshole is just a song that i felt like everyone could relate to. i’ve done wrong like everyone, but i feel like you do one thing and everyone paints you out to be the bad guy. it was kind of my way of beating everyone else to it because i knew the people who this album was about would hit me up or throw shade and i had a song on the album to hit them with what i assumed they were thinking. & a song to the haters. 

Have you felt any pressure to meet or exceed standards while releasing your music?

CHLOE: honestly, no.i’m to a point in my craft where i can bump my own songs and love on them. i knew putting this project out no matter what the numbers said or who loved it, i was confident in my craft. and it was more than good enough.

What can we expect from for the rest of the year?

CHLOE: i have a lot planned, i’d except some singles, and potentially another ep.

Click here to listen to Chloe Rain anywhere.

No Average by Digital Dior ft. Yung Gosse

 

Music label Digital Dior has taken visible steps within the industry to make themselves a household name. Their latest release “No Average”, featuring Yung Gosse and production by Papi and Rich Illuminati is a fierce leap forward. The single holds the essence of UK Drill, popularized in the US by late rapper Pop Smoke. Between Papi and Rich Illuminati, they’ve managed to conger dark energy through heart-thumping bass and adding a more sinister tone via a synth. Lyrically, Digital Dior and Yung Gosse hit it right on the head. The tempo is quick but cold. “No Average” delivers as a complete and mindful body of work with a clear message: we’re coming for you.

Click here to listen “No Average” on YouTube.

Lemonade by Internet Money ft. Gunna, Don Toliver, NAV

 “Ice. 

Lemonade.

My neck was dripping.”

Internet Money has never missed, at they insured a clear win with their newest track “Lemonade” featuring vocals from Hip Hop elites such as Gunna, Don Toliver and NAV. The song is quick, giving it that ultra replay quality. Toliver’s notable vocal performance is captivating and NAV seals the deal with their verses. They keep it casual, with smooth tones and percussion like vibrato. Gunna closes out the track with a self aware verse and a prayer for everyone to get paid.

 Click here to listen “Lemonade” on Spotify.

I Can’t Smoke In The Gallery by Pulp

“I Can’t Smoke In The Gallery” is a slow and solemn track essential for moments when you just need to unwind. The grave bpm of the beat is hypnotic and Pulp’s soft vocals are meditative. The piano chords and drum beats can only best describe a sunny park scene. Pulp manages to create layers within the song, each with their own experience. Although the track has such light and optimistic tones, the lyrics hold a contrasting tale. You may just have to take another listen.

Click here to listen to “I Can’t Smoke In The Gallery” anywhere.

Unfair by Chloe Rain and Kyng Kilo

“Unfair” is an enchanting song complete with lively electric guitar and whopping bass. Chloe Rain is the lead vocalist for the track, fully grasping the power of her raspy tone and mesmerizing belts. Kyng Kilo’s verse comes in after the second half of the song. The change is jarring enough to transport into his realm. Each artist maintained great vocal performances, their emotional chords tied their styles together perfectly. By the end of the song, you’ll want to hear more for both of these bright and developing artists.

Click here to listen to “Unfair” anywhere.

Turbo Bieber 3: Popstars Never Die! by Lil Turbo

Lil Turbo is keeping the summer energy alive with the third installment to his alter ego’s discography, Turbo Bieber. The eight track album consists of some of his best lyrical performances and new classics to add to any playlist.

The project is led with “Shine” a rich track to immerse the listener. It’s the perfect element of escapism. The project continues with “Texaco & Citago” with production by Neilaworld. The beat has an experimental and cosmic tone with Lil Turbo at the helm of the musical experience. Lil Turbo isn’t afraid to embrace what’s outside of the norm. His collaboration with Belis in “Gotta Blast” probably has the highest return on interest. The song is melodic and catchy, and assistance from Belis’ otherworldly vocals elevates Turbo’s delivery and gives body and texture to the piece.

From there, Turbo Bieber hits full speed. “Paranoid” has a more cocky persona than the tracks before it. Lil Turbo is focused on the climb, how others are moving around him couldn’t matter less. “Fuck what you say, I’m make me a trillion.” He’s manifesting a bright and rich future. “Money Talk” has softer energy, displaying his range and ability to maintain artistry while hitting all the notes people want to hear. He’s assisted by SEBii to solidify the gentle sound he was looking for. “Bad Bih” is a clever song, the tune almost mimicking  a nursery rhyme, making it almost impossible to forget. “Outerspace Zaza!” keeps the fun going. So far, Lil Turbo has allowed the tempo of the album to shift and flow almost like a concert. Each song has its purpose, whether it’s to kick off the show, keep the momentum going or slow it down. Lil Turbo closes out the show with “I Know She Know”, a more rhythmic and sensual track left over for the ladies.

Click here to listen Turbo Bieber 3: Popstars Never Die! anywhere.

Slide Down By Lil Xelly Music Video

Lil Xelly has teamed up with one of his most loyal and iconic collaborators MOSHPIT, for his “Slide Down” music video. The Maryland rapper has his usual outgoing and careless demeanor as he pilots a Mercedes from outside the driver’s window. MOSHPIT disclaims that the entire video was created with just one scene worth of raw footage. This doesn’t hurt his creativity. He may work the best with the most simple of conditions. He depicts winding roads on top of mountains, fighter jets and Lil Xelly in the eye of the storm. Thanks to Xelly and producer ChinaTown, “Slide Down” has that essential upbeat energy to get you through your day, even if it isn’t going the best. 

Click here to watch “Slide Down” on YouTube.

A QUICK CONVERSATION WITH LOGAN WRITE

The focus on lyricism isn’t dead, and SoundCloud is not a platform of the past. Everything has its peaks and valleys, everything that rises must fall. Hip Hop artist Logan Write lives by this. His music is an infusion of classic rap flows with a shift in experimental writing and instrumentals. His bars run on like train tracks. You wouldn’t believe, once you get to the end, where you started from. He’s studied and nearly mastered his lyricism and boom-bap style. Now, he’s taken that knowledge and created a thoughtful and exciting EP, Late Night. I took the time to ask him about his affinity for music, commitment to staying true to his roots and what’s next for him, as soon as we are all allowed to leave the house.

How has growing up in the Midwest shaped your style of hip hop? You’ve stayed true to a more boom-bap style flow.

LOGAN: Livin on the east side of indy during my childhood it put me in a community where rap and hip-hop was more prevelant. There was a lot of old heads and I think that led me to perfer boom bap styles. But I try to put a spin on it.


You only have two projects and a handful of singles on SoundCloud, yet your music sounds professionally crafted. How long have you been creating music and what drove you to pursue such a career?

LOGAN: Im very self conscious about my music so Im always looking to improve production, creativity, and sound quality. I’ve been makin music for about a year and a half now, still a long way to go. Ive always loved freestylin and I wanted to transition to songs and after I had fully finished my first song I was hooked.


You pledged to remain true to roots in “Still the Same”. What keeps you sane and grounded while developing a name for yourself?

LOGAN: Id say the constant concept of who I want to be as a person and as an artist, Ill obviously change little by little as I grow but I want to stay goin in the same direction always.


How did your collaboration with 9Livez for “Alone” come about?

LOGAN: I was workin on Alone and decided that I was goin to put a feature on it and the first artist to come to mind was 9Livez. Man is amazing and he agreed he actually came through to my studio and recorded the verse right there.


Have you had your first live performance yet? If not, do you have plans in the near future?

LOGAN: I have! I opened for Ugly God in 2019. And I plan to as many more as I can!


What step in the process of creating a song do you find to be the easiest? Whether is the concept, recording, or finding the right beat.

LOGAN: I feel like none of the process is easy for me, I put a lot of time into makin all my material. Finding the right beat would be probably the hardest though.


Your music surely speaks for itself, but what do you feel sets you apart from other artist?

LOGAN: Im always comin out with different styles of music and the music im working on now is unlike what people makin today.

Click here to listen to Logan Write on SoundCloud.

Let It Go by Makai Keyes ft. Moses B

Makai Keyes’ music video for “Let It Go” doesn’t cut corners. Instead, it completely removes them and gives you a closeup and blunt perspective of Makai’s thoughts and views. It’s minimalistic, to say the least. Whether those views are being held upside down from outside of a window by two masked (white) thugs or sitting on a bench atop of a grassy valley. Visually, “Let It Go” is as warm and inviting as Makai’s vocal performance. His rapping is well-paced and versed with soft vocals from Moses B that slide the track from catchy to award-worthy. The two have managed to capture the essence of moving on, the frustration- and freedom.

Click here to watch “Let It Go” on YouTube.

Apply That Pressure EP by G.Soulow

Over the last few years, R&B has been pushed out of the musical spotlight by trap and drill music. North Alabama artist G. Soulow has made it his mission to rejuvenate R&B’s presence in pop music, and marry it with trap elements. His EP Apply That Pressure has a healthy and organic mix of rhythmic vocals and trap lyrics and instrumentals. “Gotta get a bag. Can’t go nowhere. Gotta stay focused. My music my biggest effect.” z

This project doesn’t have a single song that isn’t worth playing all of the way through. As a young artist, his talent lies in his vision and storytelling. G. Soulow is capable of depicting exactly how he feels or the message he wants to convey through his writing and musical arrangement. “Bestfriend” has a classic rhythm and blues tone while still creating that new school energy with its hook. G. Soulow has certainly spent ample time perfecting this project to not only be a solid and enjoyable body of work, but to also make it a valuable artifact in his discography. Apply That Pressure will remain timeless because of his attention to detail and believing that it’s quality not quantity.

Click here to listen to Apply That Pressure on SoundCloud.

A QUICK CONVERSATION WITH LIL SAD BOI

Lil Sad Boi lets his emotions flow, and puts all of that energy into his music. He takes situations and circumstances that leave many numb and allows them to channel into his art. His latest single “Naruto” mellows the storm of anxiety that many across globe feel each day. His goals seem set and his focus on simply creating music for those similar to himself have already carried him far. In this interview, I sought to understand what brings him the confidence to be emotional, vulnerable and honest while still maintaining balance and privacy.

Has music always been your passion?

SAD: No, basketball was my passion for the longest time from like 5/6th grade even thru high school. But everything changed my sophomore year when my cousins asked me if I wanted to make a song. I was like what you mean and they had a little studio setup in their room. We made a freestyle and after that day I wanted to keep making music. It was like my calling. So my cousin was friends with an artists named teammate markus from my hometown and I met him. I recorded my first tape at his house a couple months after making that freestyle.

As you’ve grown up, how have you and your style changed?

SAD: I’ve changed a lot. When I was first making music I was just rapping. I was listening too a lot of g Eazy at the time and I wanted to be just like him. Then as my music taste started to branch out, my style changed. I was always a big drake fan and I noticed how he’s like the best and why is that. Well he doesn’t just rap he sings too. Once I could see that that’s when my style changed. 


Is there a story behind “Lil Sad Boi” and why you chose it?

SAD: Well my first name was cole train and my cousins gave that too me. Then when I was starting to get more serious I changed it to 9 9wl (nine owl). I just wanted to be different and my name was inspired by 6 dogs. The music I was making wasn’t really fitting my name and I started to get inspired by peep a lot. And i want to make a big impact just like him. I was also very sad at the time and I was thinking of changing my name to lil anyways so I was like why not just change it to lil sad boi. 


How important is it, to you, to have support from your hometown?

SAD: It’s very important. It’s where I’m from. It means a lot. They’ve known and seen my grown since day one.


What do you want people to take away from your music?

SAD: What I want people to take away is that there not alone. I want to help them thru my music. Depression and anxiety or whatever problems you are dealing with, I want my music to help them thru those rough times. Although my music can be sad and dark sometimes I still want to spread good energy and love to my fans and the Haters. 

Can you share any details about your upcoming projects?

SAD: Right now I’m working on something. I’m making a lot of music with my bro gvrci. We’ve got a lot of music together so we might drop a collab tape. But I’m Working on a project tbh I’m just creating and creating tons of songs at the moment. 


What sub-genre of hip hop do you believe will be the next big thing and why?

SAD: Emo rap. It kind of already is the next big thing but what peep did was so impactful. Then juice came along and had a huge impactful as well. And I think the next big artist to do the same will be iann dior. I feel like I’m apart of the emo rap genre and it’s just so impactful to the people who listen. I love making music for myself because it’s my passion but I love making it for others.

Click here to listen to Lil Sad Boi on SoundCloud.

Dinero Date by ChukyBuck

There are few artists that can conquer a mariachi-infused hip hop beat, ChukyBuck proves that it’s all in the sauce. With a fiery and flow friendly beat by 2300 Beats, ChukyBuck wastes no time sending out his first shot. The self-proclaimed “best rapper on the island” sticks to his guns in this lighthearted single “Dinero Date”. “No face, no case with the bape on. Hoodie all zipped up. Make him lose in a clutch. Got a two twin glock with your face on it.” ChukyBuck fires out puns and quirky punchlines like this is the moment he’s been waiting for. His inflection and rolling R’s add to the ensemble's flavor. If you haven’t given him a chance before, this is your best opportunity.

Click here to listen to “Dinero Date” on SoundCloud.

Naruto by lil sad boi

Earth can be stressful, lil sad boi takes you into the clouds with his new song “Naruto”. Produced by xCephasx, the beat has a dreamy and uplifting tone. From here, lil sad boi sets the stage. “Running through the forest like Naruto. Tripping on shrooms. I think I’m on Pluto. I’m high, I’m high, like a satellite.” His lyrics are just as free and lighthearted as his dreams. “Naruto” is a great pick-me-up, the instrumental itself is very calming, like a breath of fresh air. This song is the perfect addition to your “Lazy Day” playlist. 

Click here to listen to “Naruto” on SoundCloud.

Amare Blvd by Amarelovesyou

The world has been nothing but stressful these past few weeks, and Amarelovesyou has managed to make all that craziness slip away through his new EP Amare Blvd. The EP consists of four tracks that drift between styles. The euphoria begins with “Come Thru”. You’re unexpectedly swept away by soft ukulele chords and Amare’s whimsical vocals. The chorus is catchy and all too relatable.  “I’m just trying to come through tonight. Tell me, why you trippin’ baby? Why ain’t gotta fight. Regards, baby Imma come through.” It’s a group of words that can be served justice if you hear from Amarelovesyou himself. 

The high energy continues with “I Gotchu”. Amarelovesyou seems to have crafted the perfect summer collection. “I Gotchu” has a similar energy to a late night of going to parties, kickbacks, or mountain tops. It’s the summer you’ve seen in movies and have always dreamed of having. Amarelovesyou’s writing takes his music to a level that’s supreme- but uniquely his own. “To Yo Face” is a more in-your-face and raunchy Amare. You wouldn’t want to repeat these lyrics to your grandma, or maybe you should... for content. 

“On My Lonesome” brings the EP to a close. The suspense built with jittery high hats and reveals a confident Amarelovesyou somewhat breaking the fourth wall. He addresses his path, personal relationships, and dives into more down-to-earth topics. “I’m been on my lonesome. Trynna secure that income. Shawty think she know something. She don’t even know nothin’. And as quickly as Amarelovesyou took into you his world, he pushes you out of it with an abrupt cut. The rest of the it is up to you.

Click here to listen to Amare Blvd anywhere.

Spring Training Pack by Solak

Although sports have been canceled for the Spring, recording artist Solak is in the running for a perfect season. His new two-song EP Spring Training Pack features gritty vocals hyperactive percussion. The first song “Reflect” is produced by WayTooLost, he keeps the tempo low with slow drums and notes that sound like stars dancing. Solak’s confidence on the beat sounds like he’s dancing with those stars. “I had to cut off some fake friends... I’m the one that’s gonna set the trend.” He’s determined and more focused than ever.

The second song “Blue Faces”, co-produced by Lezter & Sounds Need To Talk, feels like a mantra or speaking your goals into the universe. “I’m just trynna count them blue faces.” For this track, Solak teams up with fellow rapper Newy Gee. “You don’t know what’s in store. I’m trynna take it to the top. Right now I’m on the ground floor.” Both artists delivered solid verses that are filled with motivational one-liners. This EP is a morning motivator,  always swing for the fence.

Click here to listen Spring Training Pack on Spotify.

A QUICK CONVERSATION WITH WXLDBXI

WxldBxi isn't very flashy when it comes to everything outside of music. His online presence differs from “get-rich-quick” artists that constantly demand your attention with stunts and gimmicks. Instead, WxldBxi allows his audience to come to him. His Instagram has fewer than a dozen posts, but each is filled with love from fans. His music can excitable, melodic and expressive. He's illusive, but a fresh face in the same beat. This was a great opportunity to learn more about such a versatile and enigmatic artist.

How did you start creating your own music? Was there a key person that supported you?

WXLD: I started creating my own music through an android phone first. And I used an app called 'bandlab' On it. My uncle who passed away was a big fan of music and I lived with him along with grandma,mother,and 4 brothers. Little house but we made it work. But anyways, I was like 6-7 and I was always listening to him play the guitar. I loved how it sounded so I use to always sing to it. So as I got older I fell in love with music even more. Then I started creating music and my big brother Gino believed I had potential so he supports me through my journey.


What pushed you to make your music public?

WXLD: What pushed me to make my music public is the love I had for it. Growing up was tough but I never was the person to talk about my depression & feelings verbally. So growing up I was hearing & seeing people that was going through it also. So I made music for the ones that feel like they’re are alone. But I’m letting them know that they’re aren’t because I’m explaining some of my songs that I have those problems too. So that's why I’ve decided to make it public. I want everybody to hear my come up and pain.


Do you categorize your own music into a genre? Do you think genres still matter?

WXLD: Honestly I don’t Categorize my music in a specific genre. But if I did it’ll probably be 'Emo Rap'. But that’s funny because all of my music isn’t emo rap. I try to make music for everyone so you’ll see me making (pop,rock,hiphop,and r&b) So personally I don’t categorize my music. But yes I do think genres matter. Simply because our listeners want to know what type of style of music they’re listening to. And also, our listeners have some genres they don’t like. So yes i think genres are relevant today.


You have two tracks on SoundCloud, were you surprised by the great reception?

WXLD: Yeah honestly I was surprised by the great reception despite of me having only two songs as of right now. See for me, I’ve kindve started my whole music career over. So I’m in the process of gaining an loyal audience. Honestly I feel like this the hardest part of it all simply because people have to see what they like in you. And I don’t really know what people want yet. I just be myself and they’ll either love that or hate you for it.


Can you tell us anything about Teenage Nightmares?

WXLD: When i describe 'Teenage Nightmares' it’s pretty much what we go through as Teens. Like Depression,Anxiety,Mental Illness,pregnancy,drug addiction,etc being so young. And added on what we see & hear about around us. Like murder, politics,etc. But as a teen we thinking like 'this is supposed to be the best time in our life' simply because we might can get out the house more often, go to parties, doing lit things and have fun'. But nowadays it’s vice versa for a lot of people like myself. So it’s simply a nightmare I describe it as.


Are there plans for music videos in the near future?

WXLD: Of course they’re plans for visuals. I’m thinking to have my music videos like a movie though. Not extended so long but like the feeling and eagerness. I want people to see my visions on my song.


What does “wxldbxi” symbolize for you? What do you want it to mean for your fans?

WXLD: WXLDBXI is pronounced (Wild Boy) But 'WXLDBXI' looks cooler to me and stand out. The reason i got that name is because I did and do wild things like a 'Dare Devil'. I was influenced by Steve O growing up. I seen how he really lived his life and Tried to have fun. But there’s also another meaning of 'wild boy'...I been through a lot of wild scenes in life like I seen ppl get stabbed etc when I was younger. So I describe my whole life as 'Wild'. I want the Name Wxldbxi to mean to my fans ‘expect anything from me' like don’t be surprised if I do this or that.

Click here to listen to WxldBxi on SoundCloud.

Ant Hill by Pulp

In Pulp’s newest single “Ant Hill”, they take a jazzy, spoken-word approach.”I ain’t slept in two days. I’m too faded. Lost in a blue maze.” The record is produced by himself under the producer alias Candy Cigarettes. Pulp combines a soft snare drum and piano to convey the same emotion their voice carries. Their vocals are pitched higher than usual, giving it a lighter, more free tone. Pulp is excellent at setting the mood through his music, and this one speaks of hopelessness too familiar for some.

Click here to listen to “Ant Hill” on SoundCloud.

A QUICK CONVERSATION WITH PULP

Pulp is a young and bright talent that prioritizes stepping outside of their comfort zone. Their music blends together topics and genres in a way that's fresh and unpredictable. The fusion of Hip Hop and Indie stems adds allure to their tracks while their vocals take you on a winding journey. Stumbling across their music can lead to a rabbit whole a bit shallower than expected. Their music is seasoned, yet with a very limited existence online. After listening to their handful of songs, the next course of action was to understand the mind behind the music.

You’ve just recently joined social media and SoundCloud as “Pulp”. What inspired you to become an artist?

PULP: I actually didn’t recently join social media/soundcloud/streaming services. I had about 150 songs released on my old soundcloud before I took them down during a fun little mental breakdown. I also deleted all of my old socials to get a fresh start. I’ve been releasing music for about 3 years, and I’m also the main vocals for my band, GIVE UP STILL HERE.

In regards to what inspired me to become an artist, the first thing that comes to mind is that I’ve always just loved art. I drew so much when I was a kid. I would write stories, comics, poems, you name it.

I’ve been really interested in making music since I was about 10. I’d make up band names and pretend I was in them. I would put my own art in CD cases and imagine that it was my album.

What really drove me to start recording my music was when I was in 7th grade (going through my emo phase) and I decided to relisten to the Marshall Mathers LP. That album inspired me so heavily that I started looking for more rap artists to listen to.

I also have to mention that I absolutely love movies. I’ve always been intrigued by horror, but recently I’ve been watching a ton of different shit. Watching these films inspires me so much. Half the time I’m watching something I have to pause to write lyrics down.


How has the music you enjoyed in your youth impacted the music you create today?

PULP: Growing up, I listened to a lot of different music. Emo, Rap, Indie, etc. I grew up on artists like Eminem and The National. Now I try to listen to most genres. I have to give credit to The Postal Service. Their album genuinely changed my life and I don’t know where I’d be if I hadn’t listened to it.


Is there a story behind your name?
 PULP: I’ve changed my name a few times, but pulp’s what I’ve stuck with for around two years. It really just stemmed from how much Pulp Fiction inspired me. My first mixtape was called “nose bleeds & tarantino.”


How did your family and friends responded to your career choice?

PULP: Almost every single one of my friends is an artist, so none of them were shocked when I decided I’m going to make art and find a way to live off of it.

I was very nervous about my mom’s response to me leaving college and creating music. She responded so well. My mom is a very talented artist, and I think she understands completely. She consistently tells me she’s very proud of me and loves my work. I send her links to my songs before I release them all the time.

Everyone has been very supportive, especially my girlfriend (aves), BTC, and dilly. I don’t know where I’d be without such wonderful people surrounding me. I could write a book just consisting of people to thank. All of my friends have been calling me pulp for a long time. I really don’t think of it as an artist name anymore. It’s just my name.

Pulp is working towards their 10,000 hours. In a time where it seems pushing out content quickly is king, Pulp looks towards improvement rather than a big break. Their persistence reflects in their music as well as their connection between their online audience. There is something to relate to within each of their songs. Whether it's a single line or a riff that hits the ear just right, Pulp is tapped in. They look for what they want to hear and craft a piece around. It certainly works, because we're all closer than we think.

What inspires your visuals? Each is always more unique than the last.
PULP: First of all, thank you! Recently, I’ve been watching an embarrassing amount of movies from A24. I absolutely love when a movie is inventive and unique. I try to pay really close attention to films when I watch them. A lot of my visuals are inspired by movies, but my personal video work is primarily inspired by shit that’s going on in my life.


Your currently released music is slow and mellow. Do you think you’ll venture into more aggressive music in the near future?

PULP: The songs I’m currently releasing under my personal page have been going in a somewhat sad and lofi direction. That’s just how I’ve been feeling recently.


What led you to venture into a solo career?

PULP: I’ve been making solo music for a long time and I only just started GUSH with BTC last September. There were a lot of things that inspired me to start releasing solo tracks again. I make a ton of music. Every day, I make an average of like 2-3 songs. I think I currently have around 500 in the vault. I felt like I needed to re-release some older shit and show people songs I’ve kept hidden away. I work so hard on my art every single day for a variety of reasons, but most of the time self expression through music feels like the only thing keeping me sane.

I’m brutally honest on so many songs and I often feel terrified to release them. I talk about a ton of shit that’s incredibly meaningful and personal to me. I kind of approach my music like it’s a diary. I vent and open up on songs in a way that I wouldn’t to anybody. Having your diary read by someone would feel awful, and putting it out is really scary. That’s one of the biggest reasons I’ve held off releasing my sadder tracks. A lot of people have told me that my shit is too sad to listen to or get behind, and I understand that. I’m just overly sensitive about anything I create because I give this my all.

I’m trying to push past that fear and let people hear what I make. I worry about my delivery, my production, my mixing, my lyrics, my flow, everything. Any imperfection can make me trash a song. I actually hate most of my shit, but that’s okay.

The thing that really pushed me to release solo music again was my friends. I send my boys almost everything I make and they always gas me up about it all. Constantly telling me that I need to drop songs, giving me feedback, and supporting me consistently. Shoutout the homies.

A lot of my songs with GIVE UP STILL HERE have a ton of screaming in them. I have so many hard hitting songs in the vault. I have big plans for future releases.

Pulp holds music dearly to them. As an artist, they earn their respect from simply being. Tunnel vision towards their art allows their supporters to embrace their music effortlessly. Pulp's inflections and thoughts are organic, and thus their lure is the same. Despite having hit the reset button on their solo career, the old and new fans still flock to their unique sound. They don't try too hard to fit a mold, making their music even more casual and enjoyable. Genres are melted together, acting as an oasis for those searching for peace.

Can you describe your first song and how you’ve evolved since then?

PULP: Oh god. My first songs were just me recording lyrics I wrote in class with voice memos on my phone and some 90’s beat playing off my computer. My first actual, released song was called “OCULUS.” I recorded it with my friend’s Blue Yeti microphone on quicktime, sent the vocals to a friend of mine, and he did his best to make me sound on beat. I remember the first time I heard myself on a beat. I felt like I was on top of the world. It made me feel like I was finally a real artist. In retrospect, the song is fucking terrible and my friends and I quote it and make fun of it. It did like 2k on soundcloud which was insane to me. I think most of the comments were telling me I suck, and rightfully so.

After a few months of recording I realized I wanted to get better at what I was doing. I worked on my writing and technical skills, learned how to use garageband, moved on to logic pro, taught myself how to mix and master, and recently I’ve been doing a lot with production. I work on improving every day.
Since I made my first song around three years ago, I can’t even begin to explain how much my sound has changed over time and evolved. I’ve ventured into so many different genres and I’m always experimenting.

I often relisten to old projects of mine and think about what I could have done better, what I can appreciate about them, and how much I’ve grown. It’s fucking crazy listening to something of mine from 2016 and then listening to current shit I’ve made. I’m actually pretty proud of myself for how far I’ve come.


What’s your next creative milestone in mind? Will we see more collaborations soon?


PULP: I’m always working on a ton of projects. Right now, I’m really focused on finishing up my self produced album, working on my short film, and the next GIVE UP STILL HERE album.

There will be lots of collaborations. I’m always working with people in GUSH. I’m working with Kirby2Cool and vqcant a lot right now. I have songs in the vault with a ton of artists. I’m always down to hop on something if I fuck with it.


From developing a concept for a song to releasing it and performing it on stage, what are the easiest and most fun parts of creating music? 

PULP: I actually haven’t played a show yet, but I plan on doing some as soon as this quarantine shit is over. I’m super anxious and excited to perform.

The easiest part of making music varies depending on the song. Sometimes, I can make a beat super fast and I’ll feel content with it. Sometimes, lyrics just flow out of me and before I know it I have like 3 songs written. Sometimes it’s making the cover art, sometimes it’s getting creative with vocal mixes and working beats around my vocals. For most of my songs, I wouldn’t say that it’s easy to make them. I really try to push myself to make great shit. 

It really depends. They all apply to the fun aspect of creating art. Sometimes my friends and I just fuck around on the phone all night making songs. Once, I spent an entire night making a freestyled mixtape over spongebob type beats. I love making music that’s kind of funny mainly because I want to make my friend group laugh. I try to make songs like that every once and a while because almost all of my “actual” music has pretty dark content. The majority of my lyrics focus on addiction, mental illness, and death. 

I try my absolute hardest to enjoy doing what I do. I recently asked my mom, “Do you have any idea why I make so much art? I honestly don’t know and I’m looking for a reason because you know me well.” Her response was, “Well that’s a good question. I think just asking it helps understand the answer. I believe it fulfills something inside of you that you can’t quite reach. That you’re not understood in this world and that the depth that art takes you to really can’t be found elsewhere. I also think you’re a bit of a perfectionist and you’re continually trying to improve your art. There’s a lot more to it I’m sure but those are my initial not quite awake thoughts.”


Is there any advice you’d give artists stepping into a different genre?

PULP: Listen to lots of that genre. I mean a shit ton. Get a general understanding of what kind of sounds and aspects you appreciate the most and put your own spin on it. Remember that there isn’t anything stopping you from trying new things. Practice until you think what you created is quality. Experiment with your voice and find/make beats that you feel would mesh well with what you want to create. I’d also say don’t try to copy someone else’s style. Instead, look for inspiration from artists of whatever style you’re moving into. Make your music stand out and be creative with your take on that type of sound.


What’s one of the first things you’ll do when quarantine is over?

PULP: I’m planning on booking some shows and getting more tattoos.

Thank you so much for giving me the opportunity to get this interview. I’m sorry my answers were so fucking long, I just have a lot to say. If you made it this far into the interview, thank you so much for caring. I hope you’re doing wonderful. Your support means the world.

Click here to listen to Pulp on SoundCloud.

40 Ball Shawty by CloudGTB

CloudGTB of Hip Hop collective IcedOutAngels released a versatile and aggressive track today, perfect for your next quarantine induced rage. “40 Ball Shawty” is high energy and the use of wind instruments, orchestrated by its producer Guami, adds a unique flair. It gives the single that inquisitive feeling that makes you want to listen to it again, and when you do you may find another layer of sounds you didn’t notice before. The lyrics are cocky, but rightfully so. They must’ve known they have a hit on their hands.

Click here to listen to “40 Ball Shawty” on a SoundCloud.

Slayer by Hefna380

Hefna380 never fails. His newest single “Slayer” is a fiery and energetic track. Although it’s brief, Hefna380 lifts the mood as quickly as the track starts. “Big bank. I want it all then I spend it all.” Producer W1erdo adds growls and adventurous high hats to enhance the animalistic, predatory zeal “Slayer” holds. Hefna380 has developed a loyal following to look forward to his music and he hasn’t disappointed. Each track in his discography can be played back-to-back or for key moments in your day. It won’t be long before we hear him everywhere.

Click here to listen to “Slayer” on SoundCloud.

Odds by A.C. Wells

“You got a lot on your plate. And I got a lot at stake. Is that enough of a reason for me to give up on us? Oh, girl.”

“Odds” by Maryland Hip Hop artist A.C. Wells, formerly known as Ant Flow, is rhythmic and sensual. A.C. delivers light vocals and floating falsettos. The song is based in love, and A.C. Wells put all the love and attention he could into the song. The song plays as if it’s a love letter or a track from a long-lost old school mixtape. He sings over soft, acoustic chords and harmonizes with higher-pitched notes effortlessly. His music has matured since we’ve last heard from and his focus seems sharper than ever.

Click here to listen to “Odds” on SoundCloud.

Red Opp by Cardo Knight & WhiteRoseMoxie

“Red Opp” by Cardo Knight and WhiteRoseMoxie is an explosive and vibrant track. The blaring bass and loud sirens add contagious energy towards their verses. There’s nothing like the energy that comes from this duo.

“Blue opp. Green opp. Red opp. Two opps. I don’t give a f*ck. Little n*gga gonna get popped.”

Their lyrics are brash and cocky, the perfect elements for such an erratic instrumental. WhiteRoseMoxie adds a level of cold calculation. While Cardo attacks the beat, WhiteRoseMoxie delivers the final blow with speedy bars and punchlines. “N*gga got his mind on the minute. I can’t waste time.” This is a song that’s sure to be a staple in the summer of 2020.

Click here to listen “Red Opp” on Spotify.

Misused by Lil Infi

“I got a war inside my head. If it doesn’t stop soon then I’ll be dead.”

Misused by artist Lil Infi is a vulnerable and piercing track. Lil Infi dives into his emotions and lays all his insecurities on the table. The beat utilizes soft rock-influenced guitar chords and dancing percussion. His attempts to balance pain and optimism are impressive. Through his inner torment, “Misused” explains the thoughts of many young adults who are searching for a higher purpose. “Just look up at the stars and take in the view.” With such a well-developed track early in his career, Lil Infi is sure to be a star within his genre very soon.

Click here to listen to “Misused” anywhere.

Like A Pro Freestyle by Valencia Snow

Sometimes a wicked mindset is required to survive in the entertainment business. Dallas rapper Valencia Snow isn’t a stranger to wicked tendencies. Her “Like A Pro” freestyle cramped with sultry bars and unapologetic femininity. Ms. Snow isn’t shy on the mic. ”When I take your soul I’ll never release ya.” And she thrives in this oftentimes heartless environment. “Got you f*cked up in the head while you’re laying in your bed. But do not blow me up ‘cuz I’ll leave ya ass on read.”

Click here to listen to the “Like A Pro” freestyle on SoundCloud. 

Get High by Tuxx

Tuxx, one of the newest prodigies to enter the Internet Money family, released a fresh new single “Get High”. The cool rhythm and low BPM highlight Tuxx’s vocal abilities. He songs, “You can be the drug if you wanna burn me out.” He harmonizes over an instrumental created by producers Rio Leyva, Cxdy, and Nick Mira. The track begins with airy guitar and hints of soft bass, coupled with bouncing 808s and energetic snares. The song holds the same essence as walking a date down the Santa Monica pier. Tuxx’s music, similar to his career, is bright and hopeful, and at the cusp of something bigger.

Click here to listen “Get High” on SoundCloud.

Go Stupid by Baby Phace

New Jersey rapper Baby Phace took to the barren streets to record his freestyle “Go Stupid”. Directed by JustinNLA, Baby Phace is shown dawning the new normal attire for outdoor activities: gloves and a face mask. His lyrics are seamless as the artist and videographer duo travel down the not-so-busy street. Punchlines come as quickly as the pounds of bass in the beat. Baby Phace truly makes this song his own in this “PhaceMix”.

Click here to listen “Go Stupid” on SoundCloud.

My Jetta by Seba Hara

“I just wanna drive, but I can’t step in my ride.” Seba Hara creates a calm and euphoric atmosphere in his newly released demo “My Jetta”. Seba performs over enchanting guitar chords and old school drums. His voice is coupled with a high-pitched mimic that brings a light tone to the track. Seba’s use of short soundbites and radio static resembles songs to the likes of Frank Ocean and Tyler, the Creator’s more recent work. Nonetheless, “My Jetta” pushes the mold for Seba Hara and alters what fans can expect from the young talent.

Click here to listen to “My Jetta” on Spotify.

More Play by D.O.E. The Paperboy

Virginia artist D.O.E. The Paperboy released a music video for his song “More Play” earlier this month. This is the first visual from his album The Second Harvest and sets a defiant tone. The beat is produced by The Crownz and is simply phenomenal. The use of drums and the placement of chanting throughout the record give it an earthly and empowering effect. D.O.E along with those close to him are depicted with ski masks, smashing cars, and spraying graffiti. They’re rebels, D.O.E cannot be controlled nor contained. His delivery is assertive and confident. “The rap game needs an I.V. Money can’t get you everything. There ain’t enough of it for them to buy me.” The video, directed by WarGod Films, is shot in black in white and uses distortion and slow-motion to amply the impact of his lyrics.

Click here to watch “More Play” on D.O.E The Paperboy’s YouTube Channel.

Witness by Phi11a ft. Trippie Redd

Love can withstand many of life’s obstacles, but the distance seems to leave hearts most vulnerable. Australian Hip Hop artist Phi11a’s latest single “Witness” is a smokey and rebellious testament to this tragedy. “Usually I don’t want hugs but when’s she near I feel some type of buzz.” The stress of celebrity makes something as sweet as love go rotten. The beat, produced by Daniel Cartisano, has a slow, mysterious tone topped with perfected bass and rattling snares. Platinum recording artist Trippie Redd is featured on the track, accompanying Phi11a with his low and eccentric flow. Both artists show off their rapping and singing skills, even harmonizing, though somewhat through adlibs. This is a strong piece for Phi11a, displaying his growth as an artist and amongst fellow creators.

Click here to listen to “Witness” on Spotify.